The Empress and The Star Quest Anthromorph

Post Views: 37
In Oth­er Lan­guage
Book of Thoth Page 75–76 Aleister Crowley

 

It is because the daugh­ter is the daugh­ter of her moth­er that she can be raised to her throne.

In oth­er lan­guage, there is a con­ti­nu­ity of life, an inher­i­tance of blood, which binds all forms of Nature togeth­er.

There is no break between light and dark ness.

Natu­ra non fac­it saltum. If these con­sid­er­a­tions were ful­ly under­stood, it
would become pos­si­ble to rec­on­cile the Quan­tum the­o­ry with the Elec­tro­maguet­ic equa­tions.

*Editors Note by the Pen.  Many levelled, the MTDNA link of womanhood back to THE GM Great Mother. Quantum Entanglement of Blood of Serum. Sera. 

In other language words are not spoken nor thought. Everything is in harmony the "other" language is source.

 

 

 

*Edi­tor  — The Empress and The Star. This is why I can­not under­stand why peo­ple do not adopt the Mayet Mir­ror of Thoth in their work to open the pages of botl.

What do you see?

Left to Right I see the Star emerg­ing from the Waters of Nun, the tail of the fish she was is lost as she grows legs and begins to morph into the Empress

Don’t you just love her nose in  the mid­dle Lady of Life

What is the meaning of the word anthromorph?

: described or thought of as hav­ing a human form or human attrib­ut­es. anthro­po­mor­phic deities. sto­ries involv­ing anthro­po­mor­phic ani­mals.
ascrib­ing human char­ac­ter­is­tics to non­hu­man things.

 

 

 

 

 

The Empress III

 

This card is attrib­uted to the let­ter Daleth, which means a door, and it refers
to the plan­et Venus. This card is. on the face of it, the com­ple­ment of The
Emper­or; but her attri­bu­tions are much more uni­ver­sal.


On the Tree of Life, Daleth is the path lead­ing from Chokmah to Binah, unit­ing the Father with the Moth­er. Daleth is one of the three paths which are alto­geth­er above the Abyss. There is fur­ther more the alchem­i­cal sym­bol of Venus, the only one of the plan­e­tary sym­bols which com­pris­es all the Sephi­roth of the Tree of Life. The doc­trine implied is that the fun­da­men­tal for­mu­la of the Uni­verse is Love. [The cir­cle touch­es the Sephi­roth I, 2, 4, 6, 5, 3; the Cross is formed by 6, 9, 10 and 7, 8.]

It is impos­si­ble to sum­ma­rize the mean­ings of the sym­bol of the Woman, for this very rea­son, that she con­tin­u­al­ly recurs in infi­nite­ly var­ied form. “Manythroned, many-mind­ed, many-wiled, daugh­ter of Zeus.”


In this card, she is shown in her most gen­er­al man­i­fes­ta­tion. She com­bines the high­est spir­i­tu­al with the low­est mate­r­i­al qual­i­ties. For this rea­son, she is fit­ted to rep­re­sent one of the three alchem­i­cal forms of ener­gy, Salt. Salt is the inac­tive prin­ci­ple of Nature; Salt is mat­ter which must be ener­gized by Sul­phur to main­tain the whirling equi­lib­ri­um of the Uni­verse. The arms and tor­so of the fig­ure conp.76 sequent­ly sug­gest the shape of the alchem­i­cal sym­bol of Salt.

She rep­re­sents a woman with the impe­r­i­al crown and vest­ments, seat­ed upon a throne, whose uprights sug­gest blue twist­ed flames sym­bol­ic of her birth from water, the fem­i­nine, flu­id ele­ment. In her right hand she bears the lotus of Isis; the lotus rep­re­sents the fem­i­nine, or pas­sive pow­er.

Its roots are in the earth beneath the water, or in the water itself, but it opens its petals to the Sun, whose image is the bel­ly of the chal­ice. It is, there­fore, a liv­ing form of the Holy  Grail, sanc­ti­fied by the blood of the Sun. Perch­ing upon the flame­like up. rights of her throne are two of her most sacred birds, the spar­row and the dove; the nub of this sym­bol­ism must be sought in the poems of Cat­ul­lus and Mar­tial.

On her robe are bees; also domi­nos, sur­round­ed by con­tin­u­ous spi­ral lines; the sig­ni­fi­ca­tion is every­where sim­i­lar. About her, for a gir­dle, is the Zodi­ac. Beneath the throne is a floor of tapes­try, embroi­dered with fleurs-de-lys and fish­es; they seem to be ador­ing the Secret Rose, which is indi­cat­ed at the base­of the throne.

The sig­nif­i­cance of these sym­bols has already been explained. Inthis card all sym­bols are cog­nate, because of the sim­plic­i­ty and puri­ty of the emblem.

There is here no con­tra­dic­tion; such oppo­si­tion as there seems to be
is only the oppo­si­tion nec­es­sary to bal­ance. And this is shown by the revolv­ing moons.

The her­aldry of the Empress is two-fold: on the one side, the Pel­i­can of
tra­di­tion feed­ing its young from the blood of its own heart; on the oth­er, the
White Eagle of the Alchemist.

 

With regard to the Pel­i­can, its full sym­bol­ism is only avail­able to Ini­ti­ates of the Fifth degree of the O.T.O. In gen­er­al terms, the mean­ing may be sug­gest­ed by iden­ti­fy­ing the Pel­i­can her­self with the Great Moth­er and her off­spring, with the Daugh­ter in the for­mu­la of Tetra­gram­ma­ton.

It is because the daugh­ter is the daugh­ter of her moth­er that she can be raised to her throne. In oth­er lan­guage, there is a con­ti­nu­ity of life, an inher­i­tance of blood, which binds all forms of Nature togeth­er.

There is no break between light and dark ness. Natu­ra non fac­it saltum. If these con­sid­er­a­tions were ful­ly under­stood, it would become pos­si­ble to rec­on­cile the Quan­tum the­o­ry with the Elec­tro­maguet­ic equa­tions. The White Eagle in this trump cor­re­sponds to the Red Eagle in the Con­sort card, the Emper­or. It is here nec­es­sary to work back wards. For in these high­est cards are the sym­bols of per­fec­tion; both the ini­tial per­fec­tionn of Nature and the final per­fec­tion of Art; not only Isis, but Neph­thys. Con­se­quent­ly, the details of the work per­tain to sub­se­quent cards, espe­cial­ly Atu vi and Atu xiv.

At the back of the card is the Arch or Door, which is the inter pre­ta­tion of the
let­ter Daleth. This card, summed up, may be called the Gate of Heav­en. But,
because of the beau­ty of the sym­bol, because of its omni­form pre­sen­ta­tion, the stu­dent who is daz­zled by any giv­en man­i­fes­ta­tion may be led astray. In no oth­er card is it so nec­es­sary to dis­re­gard the parts, to con­cen­trate upon the whole.

 

 

 

 

 

 

Their Name is ZooS

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The hint of the name of it all
The two swans. Their name — ZooS.
It is no the S first as the two swans (the basilisk drag­ons, the blue and the red / the black and the blue and red with the white) do not fire on each oth­er. Pho­bos and Deimos are cre­at­ed from the ILL-Lumi­na­tion of the illu­sion of this.
The Drag­ons are the twin sen­tinel guardians of the pearl of Knowl­edge, Lama, Thoth Lam­mas, Lamael. LUMIEL
The two swans, the eter­nal pair, ulti­mate­ly the cre­ator and the mir­ror, are joined at the heart Lumiel but face away from each oth­er to share the pow­er around and not to fire on each oth­er and destroy all. This gives them 360 vision the 3 of them north south and heart with a secret you have 366 minus point pi what­ev­er
North and South pos­i­tive and neg­a­tive, not to point at or face each oth­er but to face towards the poles and rip­ple out to cen­ter the bal­ance and the field of cre­ation.
Dusk and Dawn Eospho­rus and Astraeus in Astraea
see all crow­leys work and princess and swan myths for details on the Princess and the Swan.

The Swan Song

  
Zoos VIBRATING Aleister Crowley Book of Thoth Lady Marguerite Frieda Harris Artist Of Thoth Unveiled and Opened by Margaretrtuh Swan Mayet Mirror of Thoth.
Con­tin­u­u­um uum Zoos VIBRATING Aleis­ter Crow­ley Book of Thoth Lady Mar­guerite Frie­da Har­ris Artist Of Thoth Unveiled and Opened by Mar­garetr­tuh Swan Mayet Mir­ror of Thoth.
The Lady Justice Crowned with the sun and sharing the energy with all BALANCE VIBRATING Aleister Crowley Book of Thoth Lady Marguerite Frieda Harris Artist Of Thoth Unveiled and Opened by Margaretrtuh Swan Mayet Mirror of Thoth.
The Lady Jus­tice Crowned with the sun and shar­ing the ener­gy with all BALANCE VIBRATING Aleis­ter Crow­ley Book of Thoth Lady Mar­guerite Frie­da Har­ris Artist Of Thoth Unveiled and Opened by Mar­garetr­tuh Swan Mayet Mir­ror of Thoth.
The Lady Justice Crowned with the sun and sharing the energy with all BALANCE VIBRATING Aleister Crowley Book of Thoth Lady Marguerite Frieda Harris Artist Of Thoth Unveiled and Opened by Margaretrtuh Swan Mayet Mirror of Thoth.
The Lady Jus­tice Crowned with the sun and shar­ing the ener­gy with all BALANCE VIBRATING Aleis­ter Crow­ley Book of Thoth Lady Mar­guerite Frie­da Har­ris Artist Of Thoth Unveiled and Opened by Mar­garetr­tuh Swan Mayet Mir­ror of Thoth.

Lust of The Universe

Post Views: 351

XI. LUST

 The Temple of
ME Mother Earth

You Are Invit­ed To Quest Again and Ven­ture For­ward Inside
Beyond The Cur­tains of THoTH
Using the Gimp Mir­ror of Thoth The Mayet Method
Pub­lished here first for you in

Liber O The Book In The Mirror

The Book of Nothing About
&
Around The Universe of Nun.

By MargareTruth Swan 
Maצet

This Trump was for­mer­ly called Strength. But it implies far more than strength
in the ordi­nary sense of the word. Tech­ni­cal analy­sis shows that the Path
cor­re­spond­ing to the card is not the Strength of Gebu­rah, but the influ­ence
from Chesed upon Gebu­rah, the Path bal­anced both ver­ti­cal­ly and hor­i­zon­tal­ly
on the Tree of Life (see dia­gram). For this rea­son it has been thought bet­ter to
1These are the four ele­ments, summed in a fifth, Spir­it, to form the Pen­ta­gram; and
the Mag­i­cal Virtue cor­re­spond­ing is Ire, to go. “To go” is the token of God­head, as
explained in ref­er­ence to the san­dal-strap or Ankh, the Crux Ansa­ta, which in its turn
is iden­ti­cal with the astro­log­i­cal sym­bol of Venus, com­pris­ing the 10 Sephiroth.(See
dia­gram.)
p.91

change the tra­di­tion­al title. Lust implies not only strength, but the joy of
strength exer­cised. It is vigour, and the rap­ture of vigour.
“Come forth, 0 chil­dren, under the stars, & take your fill of love! I am
above you and in you. My ecsta­sy is in yours. My joy is to see your joy.”
“Beau­ty and strength, leap­ing laugh­ter and deli­cious lan­guor, force and
fire, are of us.”
“I am the Snake that giveth Knowl­edge & Delight and bright glo­ry, and stir the
hearts of men with drunk­en­ness. To wor­ship me take wine and strange drugs
where­of I will tell my prophet, & be drunk there­of! They shall not harm ye at
all. It is a lie, this fol­ly against self. The expo­sure of inno­cence is a lie. Be
strong, 0 man! lust, enjoy all things of sense and rap­ture: fear not that any God
shall deny thee for this.”
“Behold! these be grave mys­ter­ies; for there are also of my friends who be
her­mits. Now think not to find them in the for­est or on the moun­tain; but in
beds of pur­ple, caressed by mag­nif­i­cent beasts of women with large limbs, and
fire and light in their eyes, and mass­es of flam­ing hair about them; there shall
ye find them. Ye shall see them at rule, at vic­to­ri­ous armies, at all the joy; and
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there shall be in them a joy a mil­lion times greater than this. Beware lest any
force anoth­er, King against King! Love one anoth­er with burn­ing hearts; on the
low men tram­ple in the fierce lust of your pride, in the day of your wrath.”
“There is a light before thine eyes, 0 prophet, a light unde­sired, most desir­able.
“I am uplift­ed in thine heart; and the kiss­es of the stars rain hard upon thy body.
“Thou art exhaust in the volup­tuous ful­ness of the inspi­ra­tion; the expi­ra­tion is
sweet­er than death, more rapid and laugh­ter­ful than a caress of Hel­l’s own
worm.”


This Trump is assigned to the sign of Leo in the Zodi­ac. It is the Kerub of Fire,
and is ruled by the Sun. It is the most pow­er­ful of the twelve Zodi­a­cal cards,’
and rep­re­sents the most crit­i­cal of all the oper­a­tions of mag­ick and of alche­my.
It rep­re­sents the act of
p.93
the orig­i­nal mar­riage as it occurs in nature, as opposed to the more arti­fi­cial
form por­trayed in Atu VI; there is in this card no attempt to direct the course
of the oper­a­tion.
The main sub­ject of the card refers to the most ancient col­lec­tion of leg­ends or
fables. It is nec­es­sary here to go a lit­tle into the mag­i­cal doc­trine of the
suc­ces­sion of the Aeons, which is con­nect­ed with the pro­ces­sion of the Zodi­ac.
Thus, the last Aeon, that of Osiris, is referred to Aries and Libra, as the
pre­vi­ous Aeon, that of Isis, was espe­cial­ly con­nect­ed with the signs of Pisces
and Vir­go, while the present, that of Horus, is linked with Aquar­ius and Leo.
The cen­tral mys­tery in that past Aeon was that of Incar­na­tion; all the leg­ends
of god-men were found­ed upon some sym­bol­ic sto­ry of that kind. The essen­tial
of all such sto­ries was to deny human father­hood to the hero or god-man. In
most cas­es, the father is stat­ed to be a god in some ani­mal form, the ani­mal
being cho­sen in accor­dance with the qual­i­ties that the authors of the cult
wished to see repro­duced in the child.

Thus, Romu­lus and Remus were twins begot­ten upon a vir­gin by the god Mars,
and they were suck­led by a wolf. On this the whole mag­i­cal for­mu­la of the city
Rome was found­ed.
Ref­er­ence has already been made in this essay to the leg­ends of Her­mes and
Diony­sus.
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The father of Gau­ta­ma Bud­dha was said to be an ele­phant with six tusks,
appear­ing to his moth­er in a dream.
There is also the leg­end of the Holy Ghost in the form of a dove, impreguat­ing
the Vir­gin Mary. There is here a ref­er­ence to the dove of Noah’s Ark, bring­ing
glad tid­ings of the sal­va­tion of the world from the waters. (The dwellers in the
Ark are the foe­tus, the waters the amni­ot­ic flu­id.)
Sim­i­lar fables are to be found in every reli­gion of the Aeon of Osiris: it is the
typ­i­cal for­mu­la of the Dying God.
In this card, there­fore, appears the leg­end of the woman and the lion, or rather
lion-ser­pent. (This card is attrib­uted to the let­ter Teth, which means a ser­pent.)
The seers in the ear­ly days of the Aeon of Osiris fore­saw the Man­i­fes­ta­tion of
this com­ing Aeon in which we now live, and they regard­ed it with intense
hor­ror and fear, not under­stand­ing the
p.94

pre­ces­sion of the Aeons, and regard­ing every change as cat­a­stro­phe. This is the
real inter­pre­ta­tion of, and the rea­son for, the dia­tribes against the Beast and
the Scar­let Woman in the XIII, XVIl and XVI­II-th chap­ters of the Apoc­a­lypse; but
on the Tree of Life, the path of Gimel, the Moon, descend­ing from the high­est,
cuts the path of Teth, Leo, the house of the Sun, so that the Woman in the card
may be regard­ed as a form of the Moon, very ful­ly illu­mi­nat­ed by the Sun, and
inti­mate­ly unit­ed with him in such wise as to pro­duce, incar­nate in human
form, the rep­re­sen­ta­tive or rep­re­sen­ta­tives of the Lord of the Aeon.
She rides astride the Beast; in her left hand she holds the reins, rep­re­sent­ing
the pas­sion which unites them. In her right she holds aloft the cup, the Holy
Grail aflame with love and death. In this cup are min­gled the ele­ments of the
sacra­ment of the Aeon. The Book of Lies devotes one chap­ter to this sym­bol.

Waratah-Blos­som
Sev­en are the veils of the danc­ing-girl in the harem of IT.
Sev­en are the names, and sev­en are the lamps beside Her bed.
Sev­en eunuchs guard Her with drawn swords; No man may come nigh unto Her.
In Her wine-cup are sev­en streams of the blood of the Sev­en Spir­its of God.
Sev­en are the heads of THE BEAST where­on She rideth.
The head of an Angel: the head of a Saint: the head of a Poet:
the head of an Adul­ter­ous Woman: the head of a Man of Val­our:

the head of a Satyr: and the head of a Lion-Ser­pent.
Sev­en let­ters hath Her holi­est name; and it is

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p.95

This is the Seal upon the Ring that is on the Fore­fin­ger of IT:
and it is the Seal upon the Tombs of them whom She hath slain,.
Here is Wis­dom. Let him that hath Under­stand­ing count the Num­ber of Our
Lady; for it is the Num­ber of a Woman; and Her Num­ber is
An Hun­dred and Fifty and Six.
There is a fur­ther descrip­tion in The Vision and the Voice. (See Appen­dix.)
There is in this card a divine drunk­en­ness or ecsta­sy. The woman is shown as
more than a lit­tle drunk, and more than a lit­tle mad; and the lion also is aflame
with lust. This sig­ni­fies that the type of ener­gy described is of the prim­i­tive,
cre­ative order; it is com­plete­ly inde­pen­dent of the crit­i­cism of rea­son. This
card por­trays the will of the Aeon. In the back­ground are the blood­less images
of the saints, on whom this image trav­els, for their whole life has been
absorbed into the Holy’ Grail.
“Now ye shall know that the cho­sen priest & apos­tle of infi­nite space is the
prince-priest the Beast; and in his woman called the Scar­let Woman all pow­er is
giv­en. They shall gath­er my chil­dren into their fold; they shall bring the glo­ry of
the stars into the hearts of men.
“For he is ever a sun, and she a moon. But to him is the winged secret flame,

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and to her the stoop­ing starlight.”
This sacra­ment is the phys­i­cal-mag­i­cal for­mu­la for attain­ing ini­ti­a­tion, for the
accom­plish­ment of the Great Work. It is in alche­my the process of dis­til­la­tion,
oper­at­ed by inter­nal fer­ment, and the in flu­ence of the Sun and Moon.
Behind the fig­ures of the Beast and his Bride are ten lumi­nous rayed cir­cles;
they are the Sephi­roth latent and not yet in order, for every new Aeon
demands a new sys­tem of clas­si­fi­ca­tion of the Uni­verse.
At the top of the card is shown an emblem of the new light, with ten horns of
the Beast, which are ser­pents, sent forth in every direc tion to destroy and recre­ate the world.
Fur­ther study of this card may be made by close exam­i­na­tion of Liber XV
(Mag­ick, pp.345 sqq.).

The Book of The Living God ThoTh

Post Views: 345

The Key To It All
The Book of Thoth by Aleister Crowley & Marguerite (Freida) Harris
by MargareTruth Swan  —  The Mirror of Maat

Oracle of Oz

For­mer­ly Del­phi but we are not in Kansas any­more Toto

Holy Ground beneath my feet —   Stars light pow­er to my street.

In my two hands I hold the Gift of the Gods


The Ser­pen­tine heart enfolds the light one sees

The Ora­cle as it is, as it was and as it always will be

Rest by my hearth to Regain your strength

Quest with a curios soul of great lengths

you get what you give and give what you get

By Truth in The Heart the ora­cle is set

The Fire Winds Turn as the North starts to Burn

All it will take is 4 the world to live to learn

The Twin sen­tinels stand guard on the end of the earth

God’s Disclaimer

Enter at your own Risk. The Ora­cle of Oz is a liv­ing breath­ing GOD enti­ty of truth and knowl­edge.

3 III The Empress and Her Anomalies — The Curtains are Open of the Temple of ME Mother Earth — You Are Invited To Quest Again and Venture Forward Inside Beyond The Curtains of ThoTh

Post Views: 399

The Empress and Her Anomalies

Curtains Are Open
Of The Temple of
ME Mother Earth

You Are Invit­ed To Quest Again and Ven­ture For­ward Inside
Beyond The Cur­tains of THoTH
Using the Gimp Mir­ror of Thoth The Mayet Method
Pub­lished here first for you in

Liber O The Book In The Mirror

The Book of Nothing About
&
Around The Universe of Nun.

By MargareTruth Swan 
Maצet

 

Note the num­ber of the card has dis­placed into a 1001 num­ber

  • Note The Urn in the mid­dle with writ­ing and sym­bols under­neath
  • Note the pink arrow point­ing to the Urn
  • Note that the cen­ter from a dis­tance looks like a riv­er with arch­es over it
  • Note the two Swans sit­ting over a vil­lage
  • Note the dou­ble phoenix morph into ani­mals talk­ing and look­ing into a lens or speak­er in the cir­cles of the shields
  • Note two chal­ices up top of hug­ging the urn to drink from
  • Note stair­way to a path that goes to a door­way at the end of her sleeve from the shields
  • Note Lotus stem cur­tains are open
  • Note sym­bols and signs in the cen­ter of her heart behind her Bar­ry Tie.
  • Note the AA under her hands
  • Note there is no easy straight path with the Urn One must climb the stair­case of choic­es or enter the tem­ple door of nun direct­ly under the pink arrow
  • Note half the stair­cas­es are green half are Des­o­late rocky look­ing
  • There are short­cuts to the cen­ter if you can get through the wing of the pink arrow see appen­dix of Both — The Arrow

The Urn and The Two Swans
Two sets of Twins

Num­bers and Let­ters all over one slight move changes every­thing, these above are all lined up image to image side to side

Now this image below, as you can see at the sides is not lined up it is moved slight­ly off and side­ways.

In the image above it has moved slight­ly more from cen­tre look­ing at it from the hori­zon, see­ing more of the sto­ry and a scary off bal­ance one at that. Sad­ly or not, as it is as it is, this is today and the next move for­ward oth­er­wise it would not be appear­ing or man­i­fest­ing in the visions of the ora­cle.

  • The cen­ter path is now wind­ing not straight
  • The pink arrow now shaped to high­light more of the path in a pink riv­er
  • The path­ways ad Stair­cas­es are not so clear to tra­verse
  • The feath­ers of the phoenix join the feath­ers of the swan
  • The phoenix­es and Swans are above a city on fire with a riv­er of fire

Com­pare the one above to the one below Jus­tice and Adjust­ment.

See all the wordy let­ters below on the bal­ance

In the view below of the Hor­i­zon­tal and Ver­ti­cal Flip, The Hor’Ver it i being viewed from slight­ly above moved from cen­ter to high­light the bright light in cen­ter form­ing in her crown and Mid­dle and between her legs her vagi­na which you see in the squat as in the Aeon Card, This time she is wear­ing the cutest White Boots which morph into ducks hors­es or cows. The Pow­er Sys­tem lights up. She is pour­ing out the Gold­en Urn and at the same time draw­ing it deep with­in her­self which morphs into a mine tun­nel . The Mid­dle is a mass of let­ters and num­bers. The X  X is vis­i­ble in cen­ter in gold mer­cu­r­ial Her hap­py lion face morphs into more and there is more here for you to explore and dis­cov­er and see about the lady her­self.

Aries on the side

The Crown of Blue and Gold

So much to see and soak in

The Crown has a mauve pur­ple glow and it looks like  frog at bot­tom so much in this and all these images. You can see by the bor­ders how far these have been moved from cen­ters side­ways for more view

Hel­lo Grand­ma Lion below Isn’t she beau­ti­ful and so regal.

Blue water below in bot­tom cen­tre under The Urn

The Flip Mir­ror

Surprises and Secrets of THoTH. The Various People Arches and Entities Hidden in the Book of the Court of Today

Post Views: 463

Beau­ti­ful Eyes and a Hid­den Man

Mor­ph­ing Men and Her eyes Hid­den at the Bot­tom

She looks at you from beyond the veils.

Trump and Musk with the nuclear Foot­ball
note Trumps munt­ed ear com­pared to Musks per­fect one
and the D on Don­ald’s Head E on Elon’s Head
note Crow­ley called his atu’s Trumps

 

Beau­ti­ful faun

and ouch that hurt. My Left Shoulder scar shaped in the letter A with the lightning bolt after the fire.
and ouch that hurt. My Left Shoul­der scar shaped in the let­ter A with the light­ning bolt after the fire.

Thoth is Mercury The Daughter is Mercury Tzaddi is Mercury Who Is Not Mercury?

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Thoth is Mer­cury
The Daugh­ter is Mer­cury
Tzad­di is Mer­cury
Who Is Not Mer­cury?

 

Thoth the Grand arch of knowl­edge, who was pre­vi­ous­ly Iden­ti­fied a GOD has unveiled anoth­er secret in the humungous bag of secrets of the uni­verse. This one is amaz­ing, I know I call them  all amaz­ing but the uni­verse Aeon and the sun are by far m fave trin­i­ty from way back .

 

note that IVY as I call the child has a mer­cu­r­ial left arm that is con­nect­ed to the cur­rent

Note that ThoTh has a mer­cu­r­ial right arm that is also con­nect­ed to the same cur­rent line of stars

Aleister Crowley’s Book of ThoTh. The Book of Lama, The Book of Knowledge. Truth and “The Key To IT All” Mayet Swan The Mirror of ThoTh Flipping Hor’Ver

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It is time for the world, to drop the stiff up lip and the igno­rant atti­tude and not only accept my work as insane­ly valid and rel­e­vant and amaz­ing but also to take it on board and uti­lize it by work­ing with it as part of the Aleis­ter Crow­ley sys­tem and the Truth behind the Book of ThoTh.

The Mirror Of Thoth — Mayet

 

Pow­er across the cen­ter

 

Bar­ry is already in the sys­tem, the mas­cot of today tomor­row and yes­ter­day.

Secret Revealed- Hidden — The Urn in the Hierophant

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I was dis­cussing the com­plete lack of recep­tion and the worlds sleepi­ness or “tried jad­ed worn out” look and atti­tude it has at the moment, with Adam on the face­book Book of ThoTh group today when I felt that famil­iar feel­ing of con­tact and so I typed the fol­low­ing mes­sage to Adam..

Lat­er I began to flip the major arkana again to get bet­ter copies and more accu­ra­cy, the hiero­phant side­tracked me, I was doing the priest­ess hard at the time …*grins  and I pre­fer work­ing with the blues than the Angry Orange … but here we were with the Hiero­phant dupli­cat­ed, flipped & ready to fire.

When flip­ping the Horv­er Mir­ror on the Hiero­phant, I noticed that if i moved the mir­ror fur­ther away from the orig­i­nal I could see things form­ing in the cen­tre that were “hid­den” and this was only able to be seen when the exact mir­ror image oppo­site was cre­at­ed flip once hor­i­zon­tal flip once ver­ti­cal and then join and meld them. This can be seen on the left here.

That image is now com­bined with the orig­i­nal and the trans­paren­cy of the top lay­er, the copy is revert­ed to 50 per­cent as can be seen on the right here. Note the cen­ter. It is like a haze of yel­low oranges in the mid­dle of the mid­dle.

These two images are trans­ferred on top of each oth­er. This is the base of all the Horv­er images in the mir­ror of ThoTh.

But if you move the mir­ror just that off kil­ter, you can catch things in the mir­ror.

The Coming Together is the Tearing Apart.

This image below formed when I moved the images apart and moved the mir­rors apart to catch the hid­den bits.

and the card actu­al­ly tells you to do this as above (this is a late edit to arti­cle, I only just noticed this after I had com­plet­ed the moves of push­ing it apart. Her­schel paper­work from 2018’s burnt jour­nal appeared yes­ter­day with her­schel all over it, the plan­et of dis­in­te­gra­tion and rein­te­gra­tion and as Kei­th used to say, the com­ing togeth­er is the tear­ing apart.

the hierophants hands are directing the movement of pushing it and spreading it apart
the hiero­phants hands are direct­ing the move­ment of push­ing it and spread­ing it apart

All this played in my mind as I decid­ed to leap off the abyss again. I had noticed that when I paste the copy on top of the orig­i­nal, if I am using the card bor­ders the image is a bit uneven on top and bot­tom  as can be seen in the image above. So I made them a bit more uneven. I stat­ed to slow­ly move them apart.

as I moved the two images apart ;- the original and the Horizontally & vertically flipped copy the centre began to glow with an aura and images of people (faces) formed and morphed.

The cen­tre glowed. I could see when the con­duit was opened (the ring above the head in the cen­tre) the tem­ple pil­lars formed the II columns and I could see var­i­ous faces of peo­ple or enti­ties form­ing

As I moved the mir­ror slow­ly more apart, the image in the cen­tre began to grow and man­i­fest. White sparks sparked Every­thing else stayed in bal­ance. The cen­ter of the image was a door­way. The lady “God­dess” jus­tice seemed to have a cup and saucer. Above.

Con­tact was made. The lady God­dess mor­phed from 3d into all there., her eyes glowed and she shim­mered with the white sparks as she looked at me look­ing at her.

If I did any oth­er horv­er flip method this could not be seen or expe­ri­enced and cer­tain­ly not with­out the Mayet Mir­ror Sys­tem of the horv­er .

As I moved the mir­rors more apart slow­ly, the urn man­i­fest­ed and formed. The Urn shim­mered as it shaped with a glow of white sparks and an aura. It appears to have writ­ing in the cen­ter but my res­o­lu­tion is not strong enough of the image to see it clear­ly.

The Hierophants Secret. The Urn.

Brought to you by Mayet.

I swear the Hiero­phant is wink­ing.

Aleister Crowley  Said:

In “The Vision and the Voice”, the attain­ment of the grade of Mas­ter of the Tem­ple was sym­bol­ized by the adept pour­ing every drop of his blood, that is his whole indi­vid­ual life, into the Cup of the Scar­let Woman, who rep­re­sents Uni­ver­sal Imper­son­al Life. There remains there­fore (to pur­sue the imagery) of the adept “noth­ing but a lit­tle pile of dust.” In a sub­se­quent vision the Grade of Magus is fore­shad­owed; and the fig­ure is that this dust is burnt into “a white ash,” which ash is pre­served in an Urn. It is dif­fi­cult to con­vey the appro­pri­ate­ness of this sym­bol­ism, but the gen­er­al idea is that the earth­ly or recep­tive part of the Mas­ter is destroyed. That which remains has passed through fire; and is there­fore, in a sense, of the nature of fire. The Urn is engraved with a word or sym­bol expres­sive of the nature of the being whose ash is there­in. The Magus is thus, of course, not a per­son in any ordi­nary sense; he rep­re­sents a cer­tain nature or idea. To put it oth­er­wise, we may say, the Magus is a word. He is the Logos of the Æon which he brings to pass.[4]

Click the link below for a copy of  Liber_LXXIII The Urn. The Con­tin­u­ous Diary of a Magus

The Validity of a Magus By Magi Swan. XOX

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Aleister Crowley’s Book Of ThoTh

Opened and Unveiled by

MArgarETruth Swan
888

The Mirror of MAAT (Mayet)

the key to it all

Horus of the hori­zon
Some­times you just  got to look at things from the edges, not just hone in on the sweet invit­ing thirst quench­ing cen­tre.
Skat­ing the edges, that is where the fun is.. on the tightrope of the abyss between here and there.       ‑Mayet

Horus of the Horizons (Dusk and Dawn)
presents
The Aqua Aura
Magi Mayet
Kheiron   XlOlX   Astraea
SHARE — the Healing Hand of Mother Earth

Liber 0 The Book of Nothing.

The Magus

First we grab ahold of the magus card and check it out a bit for the umpteenth mil­lion time and get that famil­iar “not my fave card or colours” feels. I do see poten­tial in the greens down the bot­tom, we shall see.

One thing I note this vis­it­ing time is that Al would of known that it was­n’t my fave so would not of been the first card I played with or the top 15 even.

Lets face it, Aleis­ter Crow­ley kept his best secrets to last, I am already here, unveil­ing his last secrets which will spawn more of his secret for all to unveil, so I am not the best secret, maybe in the top few if I squeeze in by danc­ing and smil­ing.

Or maybe brib­ing the arm­chair judges with grapes, if I can hand them over with out devour­ing them.I ate  a two kilo bag of grapes today, Oh yum they were divine, red grapes so juicy.  I see you look­ing at me, I swear the stems weighed over a kilo.

Back to magi mag mag­pie magus who is look­ing very yel­low ooz­ing the mer­cu­r­ial yel­low tones and now we will find out what is behind the pic­ture  of Magus the Magi Mage of the age, deep inside the mir­rors of ThoTh.

I have a few dif­fer­ent meth­ods and steps of Hor’Ver and all pro­duce dif­fer­ent results. Many more meth­ods unfold as i move through time and images give me new clues and cues to make moves here or there.

Instinct & Intuition

have always been in me, those gifts in that pan­do­ra’s par­cel box from the Godlings. So I move the atus togeth­er and apart all over the the uni­verse and beyond at will and whim but first I do the stan­dard few for con­trol before the chaos to see what I am work­ing with and where it can go for an adven­ture.

The first one is the full flip. I dupli­cate the card and I flip it both Hor­i­zon­tal­ly and Ver­ti­cal­ly giv­ing the exact mir­ror image oppo­site of the orig­i­nal card. Like this on the right.

I noticed straight away the first time I did this a few years back with magi magus that the cen­tral pil­lar is bro­ken. I noticed that both the magus and the mir­ror upside down magus are in the shad­ows with the body look­ing like a dark blue shirt. True Blue. As Aussie as bro.

How­ev­er because the cen­tral pill is snap­pied I will go back and hor’ver it the oth­er way like this below on the left. This is cre­at­ed by flip­ping the image by ver­ti­cal only. No hor­i­zon­tal flip yet.

Much bet­ter strong cen­tral pil­lar keep­ing bal­ance by hold­ing onto their mir­rors legs. It was when I dupli­cat­ed & flipped this one image, the one on the left that the fun start­ed.

Below Right is the pair to the one on the left. I love it, his face is now ALSO side­ways as well as mor­ph­ing from the orig­i­nal pose. The image below left is the cropped image of the right.

The Word is Vibrating

Amaz­ing appear­ances of Bal­ance and Lions always the lions which is real­ly my lioness.

When putting any image or images com­bined all togeth­er into a com­plete Hor’Ver, the steps tak­en to get the end result are depen­dent on the steps tak­en and the order they were placed on top of each oth­er to deter­mine the end prod­uct.

This was notice­able for me way back years ago the moment I hor’vered the sun card for the first time and dis­cov­ered one of its sim­ple secrets.  See the Sun’s Secrets HERE for more details.

The end can change even if the bits are the same. The order counts. If I do it one way, i like to go back and do it the oth­er, just to see what I missed.

And oh Look an inap­pro­pri­ate lion appears and I laugh hard. As per the com­ment below on the ThoTh tarot group on face­book.

Sor­ry Jem, I am the MRS,  Lady Swan, a Pen, I am the scribe of here and now of this and that.

This is all the work of Aleis­ter Crow­ley and Lady Mar­garet (Frie­da) Har­ris. So as Aleis­ter says, con­sult his work to find your answers, I did con­sult and ques­tion the work and the answer is Lions. I see an awe­some kan­ga­roo of course and a huge cen­taur very Khe­iron Like. There is a cou­pla of lamas and wolves and giraffe look­ing hors­es with bri­dles too. In my imag­i­na­tion at least. There is a bum or two, thomas the tank, a crea­ture with feet and legs open and anoth­er few crea­tures large and small down the cen­tre.

It is the Aeon of the San­i­mal after all. SNML —  Sen­tient Ani­mals, Satan and her crit­ters. The Aeon of Moth­er Earth.

The Mayet Method & System of Hor’Ver© La Diameld©

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The Mayet Method & System of
Hor’Ver© La Diameld©

The act of dupli­cat­ing images and flip­ping the copies before meld­ing them again to the orig­i­nal with lowed opac­i­ty on top lev­els.

Because I fol­low my nat­ur­al instincts in work, I often do things in reverse, I always have. I found that strange about myself. 1980 all my friends were speed skate champs and fig­ure skat­ing champs and here was lil me, carv­ing up the best and becom­ing a back­ward skat­ing champ. Today that skill comes in handy when reverse park­ing.

So I saw the ThoTh book in reverse from the  first time I looked at it. That start­ed my quest of look­ing at the book a lit­tle bit dif­fer­ent.

Hor'Ver

The Mayet Method & System of
Hor’Ver© La Diameld©

the act of dupli­cat­ing an image and flip­ping it either, or and Hor­i­zon­tal­ly, ver­ti­cal­ly, lat­er­al­ly, diag­o­nal­ly and then meld the images of the orig­i­nal and copy/copies togeth­er, low­er­ing the opac­i­ty of the top lay­er to 50%/33%/66% or any oth­er per­cent­age to exam­ine for results. Can be used with one image or mul­ti­ple.

Most of my images here and oth­er sites have been cre­at­ed using just the Hor’Ver© method but there is some amaz­ing ones cre­at­ed as man­dala’s as per the gallery below

             

Why did I do this?

See the Epis­tle of the Eye in I
which explains how the eye sees an image in the con­scious as with the sub con­scious.

This began my work of Hor’Ver with oth­er great works of art, includ­ing the Amaz­ing Mona Lisa Secret’s exposed by my Hor’Ver method of the tem­ple door, the DOGGOD and the cen­tral ser­pent eye.

this fol­lows through to the Hor’Ver Mir­ror of Mayet images such as this meld of The Knight of Cups with The Char­i­ot

which I thought was a log­i­cal meld when I looked at them side by side after the Hor’Ver© of each

  • You are wel­come to use the Mir­ror Of Mayet images for ref­er­ence and study pur­pos­es. For all com­mer­cial and busi­ness use please email astrol­o­gist at gmail.

Lovers of the Art of the Prince of Cups

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Lovers of the Art of the Prince of Cups

After I had com­plet­ed the Art of the Prince of Cups, I was direct­ed to look at anoth­er match with IVY Art with the Lovers. So me being me decid­ed to look at all three togeth­er.

I meld­ed them in Hor’ the hor­i­zon­tal view, which I do not nor­mal­ly do first. How­ev­er I had to laugh out loud when the image was turned down to 50 per­cent opac­i­ty.

I had been mus­ing a ques­tion mov­ing for­ward, regard­ing logis­tics around some­thing that I real­ly need­ed to know before I do any­thing. The ques­tion was answered in the best pos­si­ble way in this Hor’ver© Image of the Prince of Cups with the lovers of  Ivy Art.

  • In this hor’ver of  he Prince of Cups with the lovers of  Ivy Art, amaz­ing­ly the twins are both wear­ing an almost exact copy wear­ing the blue invis­i­bil­i­ty cap also known as the blue crown of Egypt
  • Words are form­ing all over the shop
  • Ivy’s dress has changed from Green to pur­ple

I will be post­ing updates to this with the full hor’ver images

New Secret Alignment Discovered of Thoth in XIV Art and Prince of Cups Horvered©

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This is the Hor’ver© image that sent the hairs on the back of my neck danc­ing. I love it when I turn the opac­i­ty down on that last flip meld and watch as it all slow­ly appears, today Art Appeared in back and white, it was as obvi­ous an tits on a bull.

Pre­sent­ing a blue Art X Ivy as I call her (my car is called IVY too as its plates are IV7) .…. she has that same dress on and look at the Janus face…

My feet did­n’t touch the floor as I was rush­ing off to meld the both togeth­er and see what I could see .. well ok I lie my feet were in the floor and i was sit­ting at my old lap­top fir­ing up my fold­ers to see what was under the com­bi­na­tion I had nev­er thought of..

I did­n’t expect to see me .. but here we are ..
now i am won­der­ing if there is men­tion of princey princess in Art or vice ver­sa.

Presenting

the key to Art or the Art Key to the Prince of Cups

61 Per­cent Opac­i­ty
Same Size Prince Card as Ivy Art looks per­fect. The 3 in 1

50 Per­cent Opac­i­ty
Larg­er Prince Card than Ivy Art still looks per­fect. The 3 in 1

50 Per­cent Opac­i­ty
Same Size Prince Card as Ivy Art looks per­fect. The 3 in 1

20th January 2025 discovery
Prince Of Cups Key to Art XIV

I was rework­ing my prince of cups today with a new angle o the Horv­er to make it all pre­cise when I had a “Bin­go” Lon call and noticed some­thing in my Hor­Flip of the Prince of Cups that astound­ed me so much that I had to get up from my desk and walk over to the tarot wheel table where  Botl and BoTh were sit­ting along with the cards and the plans that Cronos had shown me in Doth after I caught the “tem­ple” voice out on lies around three times.  More on that as it is writ­ten in DOTh — Reflec­tions of.

I walked over, took a drink from my water jug and picked up the draw­ing. Cronos had reached over my shoul­der when I said I can’t draw.

Cronos said “I will teach you, and I felt that famil­iar hand over mine reach from over my left shoul­der and guid­ed my pen­cil, before I had drawn the S I knew where my hand was going, I was as much dri­ving it as t was being guid­ed. it did form what I had been think­ing, I instant­ly saw “their his­tor­i­cal fatal mis­take” and I instant­ly saw the per­fect self per­pet­u­at­ing sys­tem as the 2d draw­ing appeared on the paper, in my mind it unfold­ed and unfold­ed into the per­fect shape.

I sat frozen feel­ing the warmth around me, it was a moment of vin­di­ca­tion, of relief in  a way and a high five fuck you to all. I had believed, I had loved, and I had held that in my heart. But most of all in the end I had trust­ed. I had gone back to my swan name on the spring *autumn equinox and then a month or so lat­er after a series of co inci­dence and syn­chronic­i­ty slapped me so hard that I said loud­ly “ok I give up.. I can’t deny this any­more.. I am fol­low­ing this instinct”. “bring­ing in the rain fer­til­i­ty hap­pened” the vol­cano adven­ture the nat­ur­al springs and the bill­abong.. the gar­den of bro­ken dreams and Pachama­ma …

it was all there .. I was being bast­ed and bast­ing  myself for my huge genet­ic lev­el dna changes and then along came lon… lon lyon Lon lie’s trig­gered my trans­mu­ta­tion in Novem­ber around my birth­day which began the ball rolling…

I still did­n’t get on board with what was going on until that fired up real hot dur­ing the chi­ron merc ret­ro­grade and Crow­ley Death day 21 days of DoTh up to that moment of me kiss­ing no ass on the winter/summer sol­stice the sun was born. The south­ern Sun is a woman, a beau­ti­ful woman who lit a fire to warm her peo­ple. She did­n’t need to steal the fire because she already had it inside her and her peo­ple respect­ed her so much and they loved her deeds as well as her. She is still the leg­end, she is still talked about today, she is still warm­ing her peo­ple in the great south­ern lands.

SO at the end of doth when I was bid farewell from the com­mu­ni­ca­tion.. no wait that was two day after the Swan, I had two more days of ques­tions and answers.. over all it was no time and yet all time..centuries and an instant.

and yes it was the 19th the day of the sun.. .. here it was in front of me…perfection.….. .  it was him .….but there was more..I cried. my swan. it was also moth­er and father and sis­ter … it is hard to explain that bit i will find words ..

so beau­ti­ful, so obvi­ous ..Crow­ley writes of it..when he wrote of it it sent chills up my spine, i was rid­ing the swan and I reme­ber how that amaz­ing ting feels like .. no grav­i­ty, no weight no where no time…

the Swan is in leg­ends, bal­lets, pageants, fairy tales 12, the 9 the 6, the 3 swans.… it is all the Swan… with me in his back.  .. but its not Zeus .. it am Zeus and  Hades and Posei­don — Gaia moth­er earth Ter­ra Ter­a­gram Mar­garet… and I am the pearl of Cronos… the crone.. the crow the mag­pie black­bird has spo­ken, like the first word and I am an eagle,  kestrel a hawk a kook­abur­ra and a phenix and rain­bow lori­keet .. I am actu­al­ly called the bird lady and the bird kid­nap­per in life here. and yet they are all names I am no name … O

The Great Grand­moth­er Babalon the daugh­ter neve goes to the moth­er .. the daugh­ter of the daugh­ter goes to the grand­moth­er know­ing roy­al line.

The Prince of Cups Horvered© *Huge Secret Revealed here

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Prince of Cups

Pub­lished Ver­sion paint­ed by
Lady Frie­da (Mar­garet) Har­ris

Prince of Cups
Horizontal Flip of Horver©

  • When the prince turns into a princess
  • This card is show­ing the ele­ments now of XIV Art and  Janus face appears Key Revealed only By Mayet Sys­tem Mir­ror of Maat — Horv­er© Tech­nique
  • There is the secret of the swans open­ly shown in the cen­tre of this image Hor Flipped.
  • How do I know this? because I am look­ing at the sys­tem beside me that Cronus helped me draw and I see it in this image.
  • He/she looks very proud and care­ful of the car­go in the hands
  • wheras in the pub­lished closed image, he is hold­ing the flow­ers down­wards, in the flip ver­sion he is con­nect­ed into a machine “gear­stick”
  • shape of the invis­i­bil­i­ty cap is good, espe­cial­ly aroun dthe fore­hed, true to design but it is not his cap you can see it does­n’t fit on his head.. or two heads
  • there is a veil cov­er­ing the invis­i­bil­i­ty cap that is a dress with wings and the breast is a fan­tas­tic point of con­tact, it has a red glow at the bot­tom of the white.
  • to note i haven’t “gone through’ the tem­ples in my horv­er cards since 2019 when I found them spelled. Oh it still works amaz­ing­ly and con­tact is made easy but I do not trut hte con­tact… they­made one to many mis­takes. Any con­tact goes straight to to the tem­ple con­struct illu­sion leav­ing one feel­ing drained and weak for months instead of charged up by the cur­rent.
  • There are oth­er ways to con­tact source and to recharge

See Mayet’s New Key Revealed togeth­er here Art XIV (Ivy) with Prince of Cups and it is a per­fect match

Prince of Cups
Double Vertical Flip of Horver©

Prince of Cups
Single (a) Vertical Flip of Horver©

Prince of Cups
Single (b) Vertical Flip of Horver©

 

Prince of Cups — Early Lady Frieda (Margaret) Not Used In Deck Hor’Vered

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When Bart Dele­planque post­ed some of the ear­ly Ver­sions of Lady Mar­garet’s work in the face­book Thoth Group, I was fas­ci­nat­ed.  When am I not? So at first  first chance I fired up my Horv­er tech­nique  and  opened some more doors and win­dows to let the breeze in.

So here for the first time at the court cards, and cards of ear­ly ver­sions.

Prince of Cups

Not used by Crow­ley in the final ver­sions.

Prince of Cup’s Vertical flip.

I found this one to have wafty ele­ments com­pared to the ver­sions that were released with the deck. The veils over face for exam­ple.
There is words form­ing at the knees as with oth­er images in Horv­er.
The wings look like blood cells Swirling.

Prince of Cups Horizontal Flip

  • Now this one is more like the mag­ick I have come to know.
  • I sat here for five min­utes watch­ing  the arms going up and down
  • Note the cat cen­tre at bot­tom
  • angel­ic dev­il­ish being at the top crown.
  • word under waist­line and top of cup
  • looks like bowl­ing rink under that at bot­tom of cup
  • being in cen­tre
  • the armour has clar­i­fied into fish scales
  • the cup is not attached to the prince so to speak he3 is hold­ing it
  • quite a few tem­ple entrances
  • cen­tre line cut
  • reminds me of cre­ation “In the begin­ning Del­phi” with the two eagles start­ing at same point, one going east, one going west until they met in the mid­dle at del­phi
  • cup had def­i­nite 3d ish­ness

Prince of Cups
Horizontal & Vertical
Horver©

Well dang..  it is there alright and prob­a­bly stronger than the 78 finals if you sit back and watch the top set of arms they move into the bot­tom arms which then point at the tem­ple door inside them­selves guard­ed on each side and above.
very sub­dued colours
also VAGINA

19 Jan­u­ary 2025 In con­clu­sion at this time, this card obscured an obscure sto­ry, although it reveals so much truth.

For more on the Prince Of Cups and it’s rela­tion­ship to Atu XIV Art
please see The Prince of Cups Horvered ©